Fragmentation in Postmodern Novels

John Hawkes once divulged that when he began to write he assumed that “the true enemies of the novel were plot, character, setting and theme”. Certainly many subsequent authors have done their best to sledgehammer these four literary cornerstones into oblivion. Either plot is pounded into small slabs of event and circumstance, characters disintegrate into… Read More Fragmentation in Postmodern Novels

Looseness of Association in Postmodern Works

Many postmodernist writers disrupt the smooth production and reception of texts by welcoming chance into the compositional process. The infamous The Unfortunates (1969) by B. S.Johnson, for instance, is a novel-in-a-box which instructs the reader to riffle several loose-leaf chapters into any order. Only the first and last chapter are denominated, otherwise the sections can… Read More Looseness of Association in Postmodern Works

Modernism, Postmodernism and Film Criticism

Postmodern cinema ironically has a history now. In 1984, Fredric Jameson observed that contemporary culture seemed to be expressing a new form of ‘depthlessness‘ – a concentration on style and ‘surface’. For Jameson these features represented a retreat from the need to supply a univocal narrative closure to the postmodern text, predicated on the fragmentation… Read More Modernism, Postmodernism and Film Criticism