Julia Kristeva and the Semanalysis

Kristeva first came into prominence for her work on Bakhtin  Seeking to counter the “necrophilia”as (Kristeva called it) of phenomenology and structural linguistics, she suggested “semanalysis,” a portmanteau term derived from semiology (Saussure)and psychoanalysis (Freud) to address an element beyond language but in an extremely self-critical fashion, questioning its own suppositions and ideological gestures. With… Read More Julia Kristeva and the Semanalysis

Ecriture Feminine

Introduced by Helene Cixous in her essay, The Laugh of the Medusa, ecriture feminine refers to a uniquely feminine style of writing characterised by disruptions in the text, such as gaps, silences, puns, new images and so on. It is eccentric, incomprehensible and inconsistent, and the difficulty to  understand it is attributed to centuries of… Read More Ecriture Feminine

Virginia Woolf’s A Room of One’s Own

In her highly influential critical A Room of Ones Own (1929), Virginial Woolf studied the cultural, economical and educational disabilities within the patriarchal system that prevent women from realising their creative potential. With her imaginary character Judith (Shakespeare’s fictional sister), she illustrated that a woman with Shakespeare’s faculties would have been denied the opportunities that… Read More Virginia Woolf’s A Room of One’s Own