Modernism, Postmodernism and Film Criticism

Postmodern cinema ironically has a history now. In 1984, Fredric Jameson observed that contemporary culture seemed to be expressing a new form of ‘depthlessness‘ – a concentration on style and ‘surface’. For Jameson these features represented a retreat from the need to supply a univocal narrative closure to the postmodern text, predicated on the fragmentation… Read More Modernism, Postmodernism and Film Criticism

Cyberculture, Cyberpunk, Technopoly and Cybercriticism

Cyberculture: cyberspace, technoculture, virtual communities, virtual realities, virtual identities, virtual space, cyborgs, cybernetics, cyberbodies, spectacles, simulations, simulacra and so forth. Cyberculture exists within the globally networked, computer-sustained, computer-accessed and/or computer-generated multidimensional virtual realities. Originally existing in the pages of science fiction, cybernetics – systems of control and communication in animals and machines – made cyberculture… Read More Cyberculture, Cyberpunk, Technopoly and Cybercriticism

Avant-Garde’s Relation to Modernist Thought

The dates of Modernism are disputable, it can be rightly claimed that nascent Modernism budded with the Avant-Garde (a military metaphor, meaning ‘advance guard’) which refers to a small, self-conscious group of artists and authors who deliberately undertook, in Ezra Pound’s phrase, to “make it new”.  By violating the accepted conventions and proprieties, not only… Read More Avant-Garde’s Relation to Modernist Thought