Stephen Greenblatt and New Historicism

While he was teaching at the University of California, Berkeley, Greenblatt helped to found a journal called Representations, in which some of the earlier important New Historicist criticism appeared. As mentioned earlier, however, it was his introduction to The Power of Forms in the English Renaissance (1982) that spurred the growth of the New Historicism.… Read More Stephen Greenblatt and New Historicism

Modernism, Postmodernism and Film Criticism

Postmodern cinema ironically has a history now. In 1984, Fredric Jameson observed that contemporary culture seemed to be expressing a new form of ‘depthlessness‘ – a concentration on style and ‘surface’. For Jameson these features represented a retreat from the need to supply a univocal narrative closure to the postmodern text, predicated on the fragmentation… Read More Modernism, Postmodernism and Film Criticism

Anthropological Criticism: An Essay

Anthropological criticism refers, broadly speaking, to a form of criticism that situates the making, dissemination and reception of literature within the conventions and cultural practices of human societies. Such an undertaking has become increasingly suspect in the twentieth century as critiques of the idea of the centred subject and of a stable field of knowledge… Read More Anthropological Criticism: An Essay

Fredric Jameson as a Neo-Marxist Critic

Fredric Jameson outlined a dialectic theory of literary criticism in his Marxism and Form (1971), drawing on Hegelian categories such as the notion of totality and the connections of abstract and concrete. Such criticism recognises the need to see its objects of analysis within a broad historical context, acknowledges its own history and perspective, and… Read More Fredric Jameson as a Neo-Marxist Critic