Homi K Bhabha’s Theoretical Contributions to Film Studies

In his epistemological work on colonial and postcolonial discourse, cultural translation, hybridity and ambiguity, Homi Bhabha gives a central place to culture. Bhabha refers regularly to literature and (albeit to a lesser extent) to cinema. Speaking from a profoundly humanities perspective, and influenced by Sigmund Freud, Jacques Lacan, Frantz Fanon and Jacques Derrida, Bhabha argues… Read More Homi K Bhabha’s Theoretical Contributions to Film Studies

Subaltern (Postcolonialism)

In the last two decades of the 20th century, Subaltern Studies, postcolonial theory and criticism gained momentum, especially, as a corollary to globalisation in the Third World countries. If postcolonial criticism is taken as an offshoot of postmodernism, subaltern studies derives its force from Marxism, poststructuralism and becomes a part of the postcolonial criticism. “Subaltern”,… Read More Subaltern (Postcolonialism)

Homi Bhabha’s Concept of Hybridity

One of the most widely employed and most disputed terms in postcolonial theory, hybridity commonly refers to the creation of new transcultural forms within the contact zone produced by colonization. As used in horticulture, the term refers to the cross-breeding of two species by grafting or cross-pollination to form a third, ‘hybrid’ species. Hybridization takes… Read More Homi Bhabha’s Concept of Hybridity

Postcolonialism

A critical analysis of the history, culture, literature and modes of discourse on the Third World countries in Africa, Asia, the Caribbean Islands and South America, postcolonialism concerns itself with the study of the colonization (which began as early as the Renaissance), the decolonization (which involves winning back and reconstituting the native cultures), and the neocolonising process… Read More Postcolonialism