Modernism, Postmodernism and Film Criticism

Postmodern cinema ironically has a history now. In 1984, Fredric Jameson observed that contemporary culture seemed to be expressing a new form of ‘depthlessness‘ – a concentration on style and ‘surface’. For Jameson these features represented a retreat from the need to supply a univocal narrative closure to the postmodern text, predicated on the fragmentation… Read More Modernism, Postmodernism and Film Criticism

Fredric Jameson as a Neo-Marxist Critic

Fredric Jameson outlined a dialectic theory of literary criticism in his Marxism and Form (1971), drawing on Hegelian categories such as the notion of totality and the connections of abstract and concrete. Such criticism recognises the need to see its objects of analysis within a broad historical context, acknowledges its own history and perspective, and… Read More Fredric Jameson as a Neo-Marxist Critic